Thursday, October 28, 2010
Wednesday, October 27, 2010
The sandbox world.
This came to mind today when I was reading over some Rimbaud. Poet/Songwriter extraordinaire, Bob Dylan was deeply influenced by his work. Dylan also was on a journey to transcend the limitations of expression and defy convention. In the recent documentary on Dylan, No Direction Home, the late great Allen Ginsberg recounts the story of how he wept the first time he heard Dylan play the song Hard Rain, realizing that the torch had been passed to the great poet/seer of the next generation. I tried to find the clip, but to no avail. If you have the time to listen to Hard Rain, I would highly encourage it.
The link that I am including will lead you to Dylan reciting the prose-poem, Last Thoughts on Woody Guthrie. To say much in preface would be to diminish its power, but I would be interested in any observations or feelings about it.
http://www.youtube.com/watch?v=NVbr0y8zp68
Posted by Jason G at 9:46 PM 2 comments
Monday, October 25, 2010
manifold and manifest
apart as all robust aching, mine
and began
to light so that nothing could see
as I felt around the edges of my being
not the shape my eyes know but
harrowed
literal and innocent
a strangeness of relevance protruding
as if
and still, trepidatious fingers molding
every sidelong glance as though
having just met
I
were prior to every arrival.
chc 10.24.10
Posted by Carmell at 1:10 AM 1 comments
Sunday, October 24, 2010
Mallarme in Crisis
I was reading in a book and I came across an amazing quote by Mallarme from his Crisis in Verse. The quote is a really good description of the problem of language:
Posted by Ty G at 11:19 PM 3 comments
"Blumf!"
Posted by Carmell at 3:05 PM 1 comments
Saturday, October 23, 2010
What poetic term describes living your life while accepting that it is filled with uncertainty?
Posted by Carmell at 3:42 PM 0 comments
Labels: absurdity, Alex Caldiero, Goethe, Inner Experience, perception
Friday, October 22, 2010
Wednesday, October 20, 2010
infrathin gap between light and dark, http://www.bbc.co.uk/blogs/photoblog/2010/10/20_minutes_of_light.html
I know I missed class today but I thought these pictures in this article were a great example of what we talked about Monday and I wanted to share them.
click HERE
Posted by Richey at 12:56 PM 0 comments
Monday, October 18, 2010
How Google understands language like a 10-year-old
by James Temple, San Francisco Chronicle Staff Writer
Monday, October 18, 2010
Language has long been one of the most difficult challenges in artificial intelligence research, mainly because programs are based on rules, while native tongues cobbled together over hundreds of years tend to flout them.
Researchers only began to make major strides in the last 15 years or so, once they began supplementing rules with a so-called statistical approach.
Put very simply: By analyzing huge quantities of human text, initially labeled and dissected in much the manner of English class sentence diagramming, machines eventually begin to detect the patterns that define the use of language. After a certain stage of development, the algorithms can be unleashed onto raw or unstructured data, and continue to refine their understanding.
The same process has led to similarly momentous advances in language translation tools, and machine perception technologies like facial and voice recognition.
The success of this approach has been further propelled by two key developments: The sudden availability of massive amounts of digital text in the way of the Internet, and the enormous computing power available to researchers through server farms strung together across the planet.
Now when Google's computers confront a word with multiple meanings, they can rely on the same clues that humans use to understand the meaning.
Take the word "can." It might be a noun (a metal container), a verb (to put something into such a container) or a modal verb (to be able to do so). You can can something in a can.
Based on the billions of examples its algorithm has analyzed, Google knows it's highly likely that if "can" is preceded by a pronoun ("you") it's most likely the modal verb. If it's followed by an object ("something") it's most likely a verb. If it comes after an article ("a") it's most likely a metal container. (And in just about every case other than the one in the preceding paragraph, two cans in a row would probably denote a dance.)
The search engine has also begun to understand which words are synonyms for others. That's why today Google knows that a user typing the query "change memory in my laptop" would probably be interested in a string of text online that reads "install laptop RAM," even though only one word is the same. Google was incapable of a match like that as recently as three years ago.
These improvements have allowed users to increasingly express their queries using natural language, instead of breaking down their wants into three-word Boolean expressions. As consumers have caught on to this, the length of average queries has steadily grown.
Artificial intelligence isn't a silver bullet to online search, however. Google is continually tweaking its algorithms to address shortcomings, but some problems can be quite difficult to solve.
For instance, "pain killers that don't upset stomach," a fairly common query, trips up the engine because it's not great at negation. Typically, the words in a query represent things people do - not "don't" - want to find.
And sometimes probability works against the search engine: Google tends to think that Dell and Lenovo are the same thing because so many similar words show up around the names of the two computer manufacturers.
The algorithm's understanding of language "has moved from a 2-year-old infant to something close to an 8 or 10-year-old child," said Amit Singhal, a Google Fellow, an honorific reserved for the company's top engineers. "They're still not approaching the conversations you'd have as a teenager."
Posted by Ben Paz at 8:54 AM 1 comments
Saturday, October 16, 2010
the language of love
From Jonathan Raban's review of Lydia Davis' new translation of Flaubert's "Madame Bovary":
"The cracked-kettle paragraph follows a speech by Emma to Rodolphe in which she declares her feelings for him in a string of amorous cliches: 'I'm your servant and your concubine! You're my king, my idol! You're good! You're handsome! You're intelligent! You're strong!' Here's how Davis renders what follows:
He had heard these things said to him so often that for him there was nothing original about them. Emma was like all other mistresses; and the charm of novelty, slipping off gradually like a piece of clothing, revealed in its nakedness the eternal monotony of passion, which always assumes the same forms and uses the same language. He could not perceive -- this man of such broad experience -- the difference in feelings that might underlie similarities of expression. Because licentious or venal lips had murmured the same words to him, he had little faith in their truthfulness; one had to discount, he thought, exaggerated speeches that concealed mediocre affections; as if the fullness of the soul did not sometimes overflow in the emptiest of metaphors, since none of us can ever express the exact measure of our needs, or our ideas, or our sorrows, and human speech is like a cracked kettle on which we beat out tunes for bears to dance to, when we long to move the stars to pity.
Posted by Scott Abbott at 7:43 AM 1 comments
Labels: cliches, cracked kettle, Flaubert, Jonathan Raban, language of love, Lydia Davis, Madame Bovary
Tuesday, October 12, 2010
how come if someone can post a perfect post as "blankness" (since it was not meant to be named i only describe it) and we can't turn in a blank unnamed paper.
after all, john cage wrote music that was made up entirely of rests.
i should be able to write a paper made up entirely of spaces. i will actually hit the spacebar however many times it takes to occupy the entire length of it.
expect to be amazed by what you read :)
Posted by the provoker at 11:38 PM 3 comments
Falling Out
Here's an interesting article I found the other day- I had no idea that almost every two weeks one of the 7,000 recorded languages goes extinct. Also pay careful attention to the language, within the first couple of lines he says, "many of them unwritten and in danger of falling out of use." The term 'falling out of use' especially caught my attention because we have seen this time and time again in our readings especially in Werther and Lord Chandos were they phrase it "falling out of language." Even in our discussions in class, I have never heard of anyone falling out of language before and I thought that it was just something Scott would say, meh, who knew it's not. Although I am still not sure exactly what it means to fall out of language and I feel that I have never experienced it to same degree as Bloch, Werther or others but I am starting to understand that even having that feeling of being at a loss of words is a minimal example of 'falling out of language.'
-Tess
Hunting One Language, Stumbling Upon Another
By JOHN NOBLE WILFORD
Published: October 11, 2010
Two years ago, a team of linguists plunged into the remote hill country of northeastern India to study little-known languages, many of them unwritten and in danger of falling out of use.
Chris Rainier
On average, every two weeks one of the world’s recorded 7,000 languages becomes extinct, and the expedition was seeking to document and help preserve the endangered ones in these isolated villages.
At a rushing mountain river, the linguists crossed on a bamboo raft and entered the tiny village of Kichang. They expected to hear the people speaking Aka, a fairly common tongue in that district. Instead, they heard a language, the linguists said, that sounded as different from Aka as English does from Japanese.
After further investigation, leaders of the research announced last week the discovery of a “hidden” language, known locally as Koro, completely new to the world outside these rural communities. While the number of spoken languages continues to decline, at least one new one has been added to the inventory, though Koro too is on the brink of extinction.
“We noticed it instantly” as a distinct and unfamiliar language, said Gregory Anderson, director of the Living Tongues Institute for Endangered Languages in Salem, Ore.
Dr. Anderson and K. David Harrison, a linguist at Swarthmore College, were leaders of the expedition, part of the Enduring Voices Project of the National Geographic Society. Another member of the group was Ganash Murmu, a linguist at Ranchi University in India. A scientific paper will be published by the journal Indian Linguistics.
When the three researchers reached Kichang, they went door to door asking people to speak their native tongue — not a strenuous undertaking in a village of only four bamboo houses set on stilts. The people live by raising pigs and growing oranges, rice and barley. They share a subsistence economy and a culture with others in the region who speak Aka, or Miji, another somewhat common language.
On the veranda at one house, the linguists heard a young woman named Kachim telling her life story in Koro. She was sold as a child bride, was unhappy in her adopted village and had to overcome hardships before eventually making peace with her new life.
Listening, the researchers at first suspected Koro to be a dialect of Aka, but its words, syntax and sounds were entirely different. Few words in Koro were the same as in Aka: mountain in Aka is “phu,” but “nggo” in Koro; pig in Aka is “vo,” but in Koro “lele.” The two languages share only 9 percent of their vocabulary.
The linguists recorded Kachim’s narrative in Koro, and an Indian television crew had her repeat it in Hindi. This not only enabled the researchers to understand her story and her language, but called attention to the cultural pressures threatening the survival of such languages, up against national languages dominant in schools, commerce and mass media.
In “The Last Speakers: The Quest to Save the World’s Most Endangered Languages,” published last month by National Geographic Books, Dr. Harrison noted that Koro speakers “are thoroughly mixed in with other local peoples and number perhaps no more than 800.”
Moreover, linguists are not sure how Koro has survived this long as a viable language. Dr. Harrison wrote: “The Koro do not dominate a single village or even an extended family. This leads to curious speech patterns not commonly found in a stable state elsewhere.”
By contrast, the Aka people number about 10,000 living in close relations with Koro speakers in a district of the state of Arunachal Pradesh, where at least 120 languages are spoken. Dr. Anderson said the coexistence of separate languages between two integrated groups that do not acknowledge an ethnic difference between them is highly unusual.
As Dr. Harrison and Dr. Anderson expanded their research, comparing Koro with several hundred languages, they determined that it belonged to the Tibeto-Burman language family, which includes 400 tongues related to widely used Tibetan and Burmese. But Koro had never been recognized in any surveys of the approximately 150 languages spoken in India.
The effort to identify “hot spots of threatened languages,” the linguists said, is critical in making decisions to preserve and enlarge the use of such tongues, which are repositories of a people’s history and culture.
In the case of Koro speakers, Dr. Harrison wrote in his book, “even though they seem to be gradually giving up their language, it remains the most powerful trait that identifies them as a distinct people.”
A version of this article appeared in print on October 12, 2010, on page D3 of the New York edition.
Posted by Tess at 5:52 PM 1 comments
Monday, October 11, 2010
Crisis in Language...
This midterm has caused me to have my own crisis of language - I mean that as a positive as well as a negative thing... Hopefully the crisis can be averted by Wednesday. It just seems that everything I am writing is trash, and after each revision I just end up with more trash, only that the trash has now been polished. And when I do have a good idea I can't seem to do it justice once I write about it. However, the ideas are there and I just have to find a way of expressing them correctly. I usually have no problem writing papers but for some odd reason this assignment has been much more difficult than I had anticipated. Just wanted to let everyone know that I am paying the price for my own procrastination and current general lack of well, everything - I suppose I am experiencing my own anxiety at the penalty kick...
Posted by Ty G at 7:50 PM 2 comments
Sunday, October 10, 2010
Saturday, October 9, 2010
All Creative Work is Derivative: It all builds on what has come before
Posted by Carmell at 12:48 AM 1 comments
Friday, October 8, 2010
Foreign Accent Syndrome
Just as we have been reviewing old texts for the essays it reminded me of this as a unique recognized medical condition. -Jonathan Barrett
Posted by Bladed Thesis at 9:43 AM 1 comments
Monday, October 4, 2010
The Origin of Language
I was looking back through my notes and scraps and got hung up on some of the things we talked about regarding Rousseau and some of his views and arguments for language. In particular the origin of language and how it has been produced naturally rather than given by God. This article from Cambridge discusses the different "sources" of language and how it could have possibly come about. I personally think it's a combination of the sources in the article. What do you think?
Posted by Liz Starley at 9:27 PM 3 comments
Sunday, October 3, 2010
Photographic Experiment 7: Language (NOW UP)!
Late submissions are welcome.
Pictured below: a submission, which presents a nice example of 'body-language'.
Posted by Jorgen at 8:10 PM 0 comments
"Found in Translation"
Here is a pretty simple editorial from the New York Times about how every written text is essentially a translation. The author finds particular satisfaction in focusing on readers of his works. I couldn't help but think about the basics of reader response theory as well as many of the discussions we have had in class while reading this article.
Posted by Madz at 7:32 PM 1 comments
Saturday, October 2, 2010
photos of language: deadline extended
Jorgen has extended the deadline for photos of language until this Sunday night.
Could be a wonderful collection, but only if we're creative and actually do it.
Check out the original invitation in an earlier post on this blog.
Posted by Scott Abbott at 7:44 AM 1 comments